On Wednesday (10 September), Israeli jets targeted Sanaa, the capital of Yemen, as well as al-Jawf province. Houthi authorities reported that there are at least 35 dead and 131 wounded, although later figures suggested 46 fatalities and 165 people injured. Strikes in Sanaa’s al-Tahrir neighbourhood damaged residential areas, a medical facility, and the national museum, while in al-Jawf, government compounds were hit. The damage to civilian infrastructure has drawn widespread condemnation, with UNESCO warning of irreparable losses to cultural heritage.

The agreements reached in the US-mediated summit of the Armenian and Azerbaijani leaders in Washington on August 8 are poised to fundamentally reshape the region's future. Particularly, the deal concerning the Zangezur corridor – rebranded as the “Trump Route for Peace and Prosperity” (TRIPP) – holds significant geopolitical importance. If implemented, the TRIPP agreement would deal a severe blow to the regional standing of Russia and Iran. More importantly, it would pave the way for a strategic U.S. presence in this critical geography. This outcome represents a success that few would have predicted for the United States, especially for the Trump administration, given the region's notoriously complex and volatile geopolitics.

Kaouther Ben Hania’s The Voice of Hind Rajab made history at the Venice Film Festival, continuing the rise of Palestinian cinema on the world stage, writes William Mullally, Arts & Culture Editor of the UAE newspaper, The National. The Oscar-nominated Tunisian director's latest effort received a record-setting 24-minute standing ovation on Wednesday (3 September), before winning the Silver Lion Grand Jury Prize on Saturday (8 September). The film, which The National's review said “will break you”, reconstructs the death of five-year-old Palestinian Hind Rajab, who was killed in Gaza city last January alongside four cousins, her aunt and uncle, and two paramedics who attempted to rescue her after the family's car came under fire from Israeli forces. Hind was trapped for hours in the vehicle while on the phone with the Palestinian Red Cross. When paramedics finally reached her, both she and the rescuers were dead. Reports later concluded an Israeli tank had likely fired more than 300 bullets into the vehicle. Hind's voice recording from the call is used in the film. Shooting the project over three weeks in Tunisia last November with Palestinian performers, Ben Hania first went to Hind's mother to seek permission to use the voice recording rather than dramatise it, she tells The National. “Hind’s mother told me something about the voice of her daughter: 'It should be heard, and not be forgotten,'” she recalls. While critics have questioned the ethics of using the girl’s plight for dramatic purposes, with Variety accusing Ben Hania of “tear-jerker tactics”, the filmmaker makes no apologies for using Hind’s own voice, rather than that of an actress. “The voice of this little girl can make people uncomfortable. I can totally understand it, and that’s why I’m doing this movie. I’m not doing this movie to make people comfortable because Gazans are not having a comfortable life,” she says. The movie has garnered international attention to a level that few productions reach, with major Hollywood figures getting behind the project to amplify its message.   Both Joaquin Phoenix and Rooney Mara, who signed on to the film as producers after the fact to help boost its reach, along with several other major names, walked the red carpet with the filmmaking team, holding up a photo of Hind as cameras flashed. As Ben Hania said in her acceptance speech on Saturday: “We all believe in the force of cinema. It is what gathers us here tonight, and what gives us the courage to tell stories that might otherwise be buried.” The film is not the only Palestinian effort to garner international attention of late, as Israel's aggression in Gaza continues to turn the eyes of the world to Palestinian stories. this week, as 1,300 major names in the film community worldwide, including Mark Ruffalo, Olivia Colman and Josh O'Connor, are making permanent pledges to boycott working with Israeli film institutions that are “complicit in genocide”. Palestinian cinema has reached one major milestone after another, and as support grows, that streak should continue long into the future.